"Dies irae" by Zbigniew Preisner was released on January 1, 1998. With this song being about 5 minutes long, at 4:51, "Dies irae" by Zbigniew Preisner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Requiem for My Friend". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Dies irae is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dies irae by Zbigniew Preisner having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hable con ella | Alberto Iglesias | A Minor | 2 | 8A | 107 BPM | ||
Mein Herr und mein Gott | Pēteris Vasks, Latvian Radio Choir, Sinfonietta Riga, Sigvards Kļava | C Minor | 1 | 5A | 80 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Hostias | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Minor | 0 | 3A | 131 BPM | ||
Bailero (Chants d'Auvergne, 1st series, no.2) | Joseph Canteloube, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 81 BPM | ||
Der Freischütz, J. 277: Der Freischutz, Act III: Was gleicht wohl auf Erden, "Huntsmen's Chorus" | Carl Maria von Weber, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Johannes Wildner | B♭ Major | 1 | 6B | 109 BPM | ||
Discovering the World | Zbigniew Preisner | B Major | 1 | 1B | 105 BPM | ||
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Catone in Utica, RV 705, Act I, Scene 9: Apri le luci e mira | Antonio Vivaldi, Alan Curtis, Il Complesso Barocco, Roberta Mameli | B♭ Minor | 1 | 3A | 120 BPM | ||
Estonian Lullaby | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste, Estonian Philharmonic Chamber Choir | D Major | 0 | 10B | 133 BPM | ||
Il Parnaso confuso: Di questa cetra in seno | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 0 | 2B | 82 BPM |
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