O di Betlemme, altera poverta ventu: VII. Aria 'Tocco la prima sorte a vio' - Alessandro Scarlatti, Maya Boog, Cologne Chamber Orchestra, Helmut Muller-Bruhl Information

Acousticness: 96%
Danceability: 20%
Energy: 6%
Instrumentalness: 72%
Liveness: 16%
Loudness: 64%
Speechiness: 5%
Valence: 7%
Popularity: 10%
Loudness: -21.436 dB

Summary

"O di Betlemme, altera poverta ventu: VII. Aria 'Tocco la prima sorte a vio'" by Alessandro Scarlatti, Maya Boog, Cologne Chamber Orchestra, Helmut Muller-Bruhl was released on August 26, 1999. Since O di Betlemme, altera poverta ventu: VII. Aria 'Tocco la prima sorte a vio' is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 23 in the song's album "Roman Christmas: Italian Concertos and Cantatas". In this album, this song's track order is #14. O di Betlemme, altera poverta ventu: VII. Aria 'Tocco la prima sorte a vio' is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

O di Betlemme, altera poverta ventu: VII. Aria 'Tocco la prima sorte a vio' BPM

With O di Betlemme, altera poverta ventu: VII. Aria 'Tocco la prima sorte a vio' by Alessandro Scarlatti, Maya Boog, Cologne Chamber Orchestra, Helmut Muller-Bruhl having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

O di Betlemme, altera poverta ventu: VII. Aria 'Tocco la prima sorte a vio' Key

A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio	Arcangelo Corelli, Teodoro Baù, Andrea Buccarella	D♭ Minor	1	12A	110 BPM
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino	Anthony Camden, City of London Sinfonia, Nicholas Ward	C Minor	0	5A	48 BPM
Spanish Folies in D Minor	Francois Loeb, Alessandro Scarlatti	D Minor	1	7A	108 BPM
Handel: Theodora, HWV 68, Pt. 2 Scene 5: Duet. "To Thee, Thou Glorious Son of Worth" (Theodora, Didymus)	George Frideric Handel, Maxim Emelyanychev, Lisette Oropesa, Paul-Antoine Bénos-Djian, Il Pomo D'oro	E Minor	2	9A	62 BPM
Concerto No 6 in C minor - Allegro	Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng	B Minor	2	10A	104 BPM
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce	William Boyce, Aradia Ensemble, Kevin Mallon	F♯ Minor	0	11A	80 BPM
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	C Minor	2	5A	176 BPM
Oboe Concerto in D Minor, S. Z799: I. Andante	Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková	D Minor	1	7A	72 BPM
Concerto in E Minor: I. Adagio e staccato	Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini	B Major	0	1B	132 BPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts	Jean-Philippe Rameau, Teodor Currentzis	D♭ Major	1	3B	130 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.747589111328125

End: 0.7605383396148682