Johann Sebastian Bach, Lang Lang's 'Goldberg Variations, BWV 988: Variatio 30 Quodlibet. a 1 Clav. - Live at Thomaskirche Leipzig / 2020' came out on February 12, 2021. The duration of Goldberg Variations, BWV 988: Variatio 30 Quodlibet. a 1 Clav. - Live at Thomaskirche Leipzig / 2020 is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Goldberg Variations, BWV 988: Variatio 30 Quodlibet. a 1 Clav. - Live at Thomaskirche Leipzig / 2020's duration is considered a little bit shorter than the average duration of a typical track. The song is number 31 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. In terms of popularity, Goldberg Variations, BWV 988: Variatio 30 Quodlibet. a 1 Clav. - Live at Thomaskirche Leipzig / 2020 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Goldberg Variations, BWV 988: Variatio 30 Quodlibet. a 1 Clav. - Live at Thomaskirche Leipzig / 2020 by Johann Sebastian Bach, Lang Lang is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 9. (Evangelist und Chorus) "Aber am ersten Tag der süßen Brot" | Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Ian Bostridge, Philippe Herreweghe | F♯ Major | 1 | 2B | 102 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Suite en La: Courante | Jean-Philippe Rameau, Alexandre Tharaud | A Minor | 1 | 8A | 120 BPM | ||
Concerto for Strings in G Minor, RV 156: II. Adagio | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.14 in F sharp minor BWV883 | Daniel Barenboim | D♭ Major | 2 | 3B | 122 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Andante in F Major, Wq. 116/24, H. 250 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Major | 0 | 7B | 118 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 28. Evangelista, Jesus "Und siehe, einer aus denen" | Johann Sebastian Bach, Collegium Vocale Gent, Ian Bostridge, Philippe Herreweghe, Franz-Joseph Selig | A♭ Major | 2 | 4B | 77 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM |
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