Thomas Kelway, Lichfield Cathedral Choir, Mark Shepherd, Jonathan Rees-Williams made "Psalm 11 "In the Lord Put I My Trust"" available on January 11, 1991. The duration of Psalm 11 "In the Lord Put I My Trust" is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Psalm 11 "In the Lord Put I My Trust"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Psalms of David, Vol. 3: In Jewry Is God Known". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Psalm 11 "In the Lord Put I My Trust"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Psalm 11 "In the Lord Put I My Trust" by Thomas Kelway, Lichfield Cathedral Choir, Mark Shepherd, Jonathan Rees-Williams having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grace Shining Forth (Valaam Motif) [Wide Harmony] | St. Symeon Orthodox Church Octet | B Major | 4 | 1B | 108 BPM | ||
Regina cæli | Jean Langlais, Maîtrise de la Cathédrale de Strasbourg | F Major | 0 | 7B | 128 BPM | ||
Come, Risen Lord | William Ferris Chorale | B♭ Major | 2 | 6B | 65 BPM | ||
In Thee, O Full of Grace | The Chamber Choir of St. Tikhon's Monastery, Benedict Sheehan | G Major | 1 | 9B | 126 BPM | ||
Breslau "Take Up Thy Cross, the Savior Said" (Arr. F. Mendelssohn for Choir & Organ) | Charles William Everest, Felix Mendelssohn, Choir of Girton College, Cambridge, William Ings, Samuel Hudson, Martin Ennis | A♭ Major | 1 | 4B | 80 BPM | ||
Missa Secunda, Messe für vierstimmigen Chor: Kyrie | Hans Leo Hassler, Alsfelder Vokalensemble Bremen, Wolfgang Helbich | A♭ Major | 2 | 4B | 65 BPM | ||
Psalm 47: Oh, Clap Your Hands | David R. Erb | D Major | 2 | 10B | 67 BPM | ||
Annelies (chamber version): IV. The last night at home and arrival at the Annexe | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | D Minor | 1 | 7A | 71 BPM | ||
I Shall See (with The Singers) | Michael John Trotta | E Major | 0 | 12B | 77 BPM | ||
Nunc dimittis "O Gladsome Light" | Louis Bourgeois, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts | F Major | 1 | 7B | 102 BPM |
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