"Annelies (chamber version): IV. The last night at home and arrival at the Annexe" by James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan was released on January 22, 2013. Annelies (chamber version): IV. The last night at home and arrival at the Annexe is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. This song is part of Whitbourn: Annelies by James Whitbourn, Arianna Zukerman, James Jordan. The song's track number on the album is #4 out of 14 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Annelies (chamber version): IV. The last night at home and arrival at the Annexe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Annelies (chamber version): IV. The last night at home and arrival at the Annexe by James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Annelies (chamber version): IV. The last night at home and arrival at the Annexe being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Season of Light | Jacob Narverud | E♭ Major | 1 | 5B | 94 BPM | ||
Sacred Place: VI. Closing Prayer | Alex Berko, Conspirare, Haitham Haidar, Carla McElhaney, Sandy Yamamoto, Daniel Kopp, Craig Hella Johnson | F Major | 0 | 7B | 72 BPM | ||
Laudes De La Resurrection: Notre Père | Fraternités Monastiques De Jérusalem | D Major | 1 | 10B | 138 BPM | ||
Pure river of water of life | James Whitbourn, Commotio, Matthew Berry | B Minor | 0 | 10A | 111 BPM | ||
Requiem: II. Psalm 23 | Herbert Howells, Hannah Holgersson, Ivonne Fuchs, Michael Axelsson, Sofia Vokalensemble, Bengt Ollen | E Minor | 2 | 9A | 81 BPM | ||
Eyen Erong Abasi - Human + Synthetic Choral | Obioha Ogbonna | F Major | 1 | 7B | 87 BPM | ||
3 Love Songs: No. 1. To Love and be Beloved | Mike Dixon, Chantage, James Davey | B♭ Major | 1 | 6B | 139 BPM | ||
Fem Latinske Kirkekor: 1. Jubilate Deo Omnis Terra | Arild Sandvold, Kåre Hanken, Schola Cantorum | A♭ Major | 1 | 4B | 94 BPM | ||
Seven Songs: I. I Have a Bird | Sally Beamish, Emily Dickinson, The St Catharine's Girls' Choir, Cambridge, Edward Wickham | G Major | 0 | 9B | 76 BPM | ||
Missa Secunda Pontificalis: Gloria | Lorenzo Perosi, Corale Polifonica di Sommariva Bosco, Adriano Popolani, Marco Limone | E Major | 2 | 12B | 73 BPM |
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