Maurice Yvain, Orchestre National de la RTF, Charlotte Vaquier, Christiane Jacquin, Genio, Georges Foix, Gilbert Moryn, Jacques Pruvost, Janine Michaux, Marcelle Sansonetti, Maurice Porterat, Pierre Roy, René Smith, Willy Clement made "Acte I : Dialogue" available on February 3, 2014. With Acte I : Dialogue being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 43 in Au Soleil du Mexique, Yvain & Willemetz , Orchestre lyrique et Choeurs de la RTF - Jules Gressier (dir) by Maurice Yvain, Jules Gressier, Willy Clément (baryton), Orchestre Lyrique de la RTF. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Acte I : Dialogue's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Acte I : Dialogue by Maurice Yvain, Orchestre National de la RTF, Charlotte Vaquier, Christiane Jacquin, Genio, Georges Foix, Gilbert Moryn, Jacques Pruvost, Janine Michaux, Marcelle Sansonetti, Maurice Porterat, Pierre Roy, René Smith, Willy Clement is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
天使との戯れ | Michiru Oshima | A♭ Minor | 9 | 1A | 142 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes (Marching off) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
Roman Festivals, P. 157: IV. The Epiphany | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | B Major | 2 | 1B | 124 BPM | ||
Fantasias Solitarias | Sirenas Celestiales | B Minor | 2 | 10A | 92 BPM | ||
La Tempestad, Acto I: Preludio - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Orquesta De Camara De Madrid, Ataúlfo Argenta, Jose Perera | A♭ Major | 2 | 4B | 102 BPM | ||
Le lac des cygnes, Op. 20 ; TH 12, Act. II, No. 13: Danse des cygnes | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Wolfgang Sawallisch | B Minor | 5 | 10A | 94 BPM | ||
Terpsichore, Op. 37 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 2 | 10B | 84 BPM | ||
Lake Starnberg | Pino Donaggio | D Major | 1 | 10B | 139 BPM | ||
Variation 3: I. Andante Lunara | Matthew Slater, London Metropolitan Orchestra | E♭ Major | 2 | 5B | 71 BPM | ||
La Tragédie de Salomé, Op. 50: I. Prélude | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM |
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