"La Tempestad, Acto I: Preludio - Remastered" by Ruperto Chapí, Miguel Ramos Carrión, Orquesta De Camara De Madrid, Ataúlfo Argenta, Jose Perera was released on January 15, 1954. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ruperto Chapí, Miguel Ramos Carrión, Various Artists, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid's "La Zarzuela: La Tempestad" album is number 1 out of 19. On top of that, Spain appears to be the country where this track was created. In terms of popularity, La Tempestad, Acto I: Preludio - Remastered is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Tempestad, Acto I: Preludio - Remastered by Ruperto Chapí, Miguel Ramos Carrión, Orquesta De Camara De Madrid, Ataúlfo Argenta, Jose Perera to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Una Voce Poco Fa | Gioachino Rossini, Standard Music Library, Andy Brown | B Major | 3 | 1B | 105 BPM | ||
Mefistofele: Epilogue - Ave Signor - Odi il canto d'amor | Arrigo Boito, Riccardo Muti | E Major | 4 | 12B | 139 BPM | ||
La Revoltosa: "¿Por Qué de Mis Ojos...?" | Ruperto Chapí, Gran Orquesta Sinfonica | C Major | 3 | 8B | 104 BPM | ||
Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM | ||
La Verbena de la Paloma. Donde Vas Con Mantón de Manila | Orquesta Lírica de Barcelona | D Major | 4 | 10B | 67 BPM | ||
Siempre En Mi Corazon | Christophe Belliveau, Jean-Pierre Mérault | D♭ Major | 2 | 3B | 100 BPM | ||
A Child of our Time, Part II: A Spiritual. O! by and by (Soprano, Chorus) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | N/A | N/A | N/A | 0 BPM | ||
Agua, azucarillos y aguardiente: Coro de barquilleros | Pablo Sorozábal | D♭ Major | 4 | 3B | 124 BPM | ||
Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater | C Major | 2 | 8B | 80 BPM | ||
Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM |
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