"Gotterdammerung (Twilight of the Gods), Act III Scene 3: Act III Scene 3: Mein Erbe nun nehm' ich zu eigen (Brunnhilde)" by Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth was released on May 1, 2015. The duration of Gotterdammerung (Twilight of the Gods), Act III Scene 3: Act III Scene 3: Mein Erbe nun nehm' ich zu eigen (Brunnhilde) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Gotterdammerung (Twilight of the Gods), Act III Scene 3: Act III Scene 3: Mein Erbe nun nehm' ich zu eigen (Brunnhilde)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Götterdämmerung by Richard Wagner, Joseph Keilberth. The song's track number on the album is #17 out of 66 tracks. Based on our data, United States was the country where this track was produced or recorded. Gotterdammerung (Twilight of the Gods), Act III Scene 3: Act III Scene 3: Mein Erbe nun nehm' ich zu eigen (Brunnhilde) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gotterdammerung (Twilight of the Gods), Act III Scene 3: Act III Scene 3: Mein Erbe nun nehm' ich zu eigen (Brunnhilde) by Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gotterdammerung (Twilight of the Gods), Act III Scene 3: Act III Scene 3: Mein Erbe nun nehm' ich zu eigen (Brunnhilde) being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
Pictures At An Exhibition: The Market-place At Limoges | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 3 | 5B | 106 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
3 Bavarian Dances: No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Minor | 2 | 11A | 145 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Semiramide: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | A Major | 1 | 11B | 151 BPM | ||
La Traviata / Act 3: "Ah, Violetta!" - "Voi? Signor?" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A Minor | 1 | 8A | 105 BPM | ||
Te Deum, WAB 45: 1. Te Deum laudamus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Minor | 2 | 5A | 126 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM |
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