"Nunc dimittis in E-Flat Major" by Healey Willan, The Choir of St. George's Church, Christopher Gray, Nigel McClintock was released on December 6, 1999. The duration of Nunc dimittis in E-Flat Major is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Nunc dimittis in E-Flat Major's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Choir of St. George's Church, Christopher Gray, Nigel McClintock's "Magnificat & Nunc dimittis, Vol. 19" album is number 18 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Nunc dimittis in E-Flat Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nunc dimittis in E-Flat Major by Healey Willan, The Choir of St. George's Church, Christopher Gray, Nigel McClintock to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thou Knowest, Lord, The Secrets Of Our Hearts (Z.58c) | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
Three Liturgical Motets: II. I Beheld Her, Beautiful as a Dove | Healey Willan, Phoenix Chorale, Charles Bruffy | D♭ Minor | 1 | 12A | 85 BPM | ||
Burial Service: I am the resurrection | William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | D♭ Minor | 2 | 12A | 83 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
5 Preludes on Plainchant Melodies, Op. 157: Prelude No. 5: Urbs Hierusalem beata | Healey Willan, Patrick Wedd | G Minor | 2 | 6A | 63 BPM |
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