Arthur Sullivan, Joyce Wright, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey's 'H.M.S.Pinafore: Now give three cheers...When I was a lad' came out on January 1, 1973. With this song being about 5 minutes long, at 4:53, "H.M.S.Pinafore: Now give three cheers...When I was a lad" by Arthur Sullivan, Joyce Wright, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "The World of Gilbert & Sullivan". In this album, this song's track order is #1. In terms of popularity, H.M.S.Pinafore: Now give three cheers...When I was a lad is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With H.M.S.Pinafore: Now give three cheers...When I was a lad by Arthur Sullivan, Joyce Wright, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
H.M.S. Pinafore, Act II: Never Mind the Why and Wherefore | Gilbert & Sullivan Society of Houston | B Major | 3 | 1B | 138 BPM | ||
Cabaret: So What? | John Kander, Lotte Lenya, Harold Hastings | D♭ Major | 2 | 3B | 204 BPM | ||
Iolanthe | Gilbert & Sullivan, The D'Oyly Carte Opera Company, Sadler's Wells Orchestra, Isidore Godfrey, Sir Charles Mackerras | G Major | 3 | 9B | 124 BPM | ||
The Mikado: Act One, "For He's Going to Marry Yum-Yum" | Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey | E Major | 3 | 12B | 129 BPM | ||
The Pirates of Penzance: Act I: I am the very model of a modern Major-General (Major-General) | Arthur Sullivan, Martyn Green, Darrell Fancourt, Donald Harris, Leonard Osborn, Muriel Harding, Richard Watson, Joan Gillingham, Joyce Wright, Ella Halman, D'Oyly Carte Opera Chorus, New Promenade Orchestra, Isidore Godfrey | E♭ Major | 2 | 5B | 74 BPM | ||
1776: Cool, Cool, Considerate Men | Sherman Edwards, Paul Hecht, David Ford, 1776 Ensemble, Peter Howard | C Minor | 4 | 5A | 96 BPM | ||
Decomposing Composers | Monty Python | D Major | 3 | 10B | 129 BPM | ||
37. We triumph now | Arthur Sullivan, Owen Brannigan, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | B♭ Major | 1 | 6B | 79 BPM | ||
Seventy Six Trombones / Goodnight My Someone | Robert Preston, Shirley Jones | C Major | 2 | 8B | 128 BPM | ||
21. Though p'r'aps I may incur your blame | Arthur Sullivan, Mary Sansom, Thomas Round, Kenneth Sandford, Donald Adams, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 2 | 4B | 80 BPM |
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