"Iolanthe" by Gilbert & Sullivan, The D'Oyly Carte Opera Company, Sadler's Wells Orchestra, Isidore Godfrey, Sir Charles Mackerras was released on 2001. Since Iolanthe is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gilbert & Sullivan, The D'Oyly Carte Opera Company, Sadler's Wells Orchestra, Isidore Godfrey, Sir Charles Mackerras's "Gilbert & Sullivan: Iolanthe; Pineapple Poll" album is number 1 out of 50. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Iolanthe's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Iolanthe by Gilbert & Sullivan, The D'Oyly Carte Opera Company, Sadler's Wells Orchestra, Isidore Godfrey, Sir Charles Mackerras to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gypsy Songs, Op. 55: No. 4, Když Mne Stará Matka Zpívat | Charlotte Hoather | D Major | 1 | 10B | 67 BPM | ||
Act 1: Scene One: | Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | G Minor | 1 | 6A | 75 BPM | ||
Carmen Suite No. 1: Entr'acte (Act III) | Georges Bizet, Willem van Otterloo, Residentie Orkest | E♭ Major | 4 | 5B | 98 BPM | ||
The Baptism of Christ | Christian Schittenhelm, Symphonic Orchestra of Prague, Frayne Mc Carthy, Marco Valeriani | C Minor | 3 | 5A | 110 BPM | ||
Puts: The Hours, Act 2: "Mm... ’Stead of Jousting You’d Rather…" (Mrs. Latch, Richie, Laura, Clarissa, Virginia, Leonard, Nelly) [Live] | Kevin Puts, Yannick Nézet-Séguin, Eve Gigliotti, Joyce DiDonato, Kai Edgar, Kathleen Kim, Kelli O'Hara, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
The Pirates of Penzance: Poor Wandr'ing One! | Marilyn Hill Smith | B♭ Major | 2 | 6B | 130 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): II. Allegro | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Sin Saber Que Hacer | Los Triunfadores | E Major | 1 | 12B | 130 BPM | ||
Peter and the Wolf, Op. 67: VI. The Cat | Sergei Prokofiev, Kent Nagano, Sophia Loren, Russian National Orchestra | C Major | 0 | 8B | 100 BPM | ||
Suite for String Orchestra, JW6 No. 2: I. Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | G Major | 1 | 9B | 93 BPM |
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