"21. Though p'r'aps I may incur your blame" by Arthur Sullivan, Mary Sansom, Thomas Round, Kenneth Sandford, Donald Adams, The New Symphony Orchestra Of London, Isidore Godfrey was released on January 1, 1960. The duration of 21. Though p'r'aps I may incur your blame is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. 21. Though p'r'aps I may incur your blame's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey's "Gilbert & Sullivan: Iolanthe" album is number 6 out of 28. 21. Though p'r'aps I may incur your blame is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 21. Though p'r'aps I may incur your blame by Arthur Sullivan, Mary Sansom, Thomas Round, Kenneth Sandford, Donald Adams, The New Symphony Orchestra Of London, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
17. Strephon's a member of Parliament | Arthur Sullivan, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 78 BPM | ||
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 1 | 8B | 114 BPM | ||
Die Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus) | Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider | D Major | 4 | 10B | 74 BPM | ||
Don Giovanni, K. 527, Act II Scene 9: Ah, be merciful to me! (Leporello) | Wolfgang Amadeus Mozart, David Parry, Philharmonic Orchestra, Andrew Shore | E♭ Major | 1 | 5B | 160 BPM | ||
Wood: Fantasia on British Sea Songs: V. Jack's the Lad. Hornpipe | Sir Henry Wood, Richard Cooke, Royal Philharmonic Orchestra | A Major | 2 | 11B | 87 BPM | ||
Requiem: 8. Lux aeterna & Libera me | Andrew Lloyd Webber, Plácido Domingo, Paul Miles-Kingston, Winchester Cathedral Choir, James Lancelot, English Chamber Orchestra, Lorin Maazel, Sarah Brightman | D Minor | 0 | 7A | 93 BPM | ||
The Merry Widow, Act II: Vilja-Lied | Franz Lehár, Viktor Léon, Leo Stein, Adrian Ross, Vladimir Karmirski, Melbourne Symphony Orchestra, Yvonne Kenny | G Major | 2 | 9B | 80 BPM | ||
Elijah, Op. 70, MWV A25 / Part 1: "Ye people, rend your hearts" - "If with all your hearts" | Felix Mendelssohn, Anthony Rolfe Johnson, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 118 BPM | ||
Emmeline: Act Two: "I know nothing" | Santa Fe Opera | B♭ Minor | 1 | 3A | 67 BPM | ||
A Sea Symphony: III. Scherzo - The Waves (Allegro brillante) | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Major | 2 | 9B | 169 BPM |
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