"Requiem für Chor und Orgel, op. 9: III. Sanctus" by Maurice Duruflé, Rannveig Braga, Michael Jón Clarke, Mótettukórinn, Hannfried Lucke, Inga Rós, Hördur Askelsson had its release date on January 1, 1997. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 11 in Duruflé: Requiem op. 9, Suite op. 5 by Maurice Duruflé, Rannveig Braga, Michael Jón Clarke, Mótettukórinn, Hannfried Lucke, Inga Rós, Hördur Askelsson. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Requiem für Chor und Orgel, op. 9: III. Sanctus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem für Chor und Orgel, op. 9: III. Sanctus by Maurice Duruflé, Rannveig Braga, Michael Jón Clarke, Mótettukórinn, Hannfried Lucke, Inga Rós, Hördur Askelsson is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
3 Motets, Op. 43: No. 2, Peace I Leave with You | Knut Nystedt, The Norwegian Soloists' Choir, Grete Pedersen | D♭ Minor | 0 | 12A | 86 BPM | ||
Geistliche Chormusik, Op. 11: 4. Verleih uns Frieden genädiglich, SWV 372 | Heinrich Schütz, Frauke Hess, Ludger Rémy, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann | A♭ Minor | 1 | 1A | 75 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: I. Kyrie | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | G Minor | 2 | 6A | 137 BPM | ||
Afferentur regi, WAB 1 | Anton Bruckner, SWR Vokalensemble Stuttgart, Tobias Unger, Florian Metzger, Harald Matjacic, Marcus Creed | F Major | 0 | 7B | 92 BPM | ||
Choral varié sur le thème du Veni Creator, Op. 4 | Maurice Duruflé, Karl Blume, Cantores in Ecclesia, Mark Williams, Dean Applegate | F Major | 0 | 7B | 125 BPM | ||
Stanford: The Blue Bird | Chamber Choir Ireland, Charles Villiers Stanford, Paul Hillier | F♯ Major | 0 | 2B | 70 BPM | ||
Sacred Heart (Ubi Caritas III) | Ola Gjeilo, Westminster Williamson Voices, Valissa Willwerth, Blake Espy, Pamela Fay, Glenn Fischbach, James Jordan | F♯ Major | 4 | 2B | 123 BPM | ||
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM |