Marco Uccellini, Ero Maria Barbero's 'Sonate, correnti et arie, Op. 4: No. 13, Corrente decima quinta a violino solo' came out on January 1, 1995. With Sonate, correnti et arie, Op. 4: No. 13, Corrente decima quinta a violino solo being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marco Uccellini, Various Artists's "Marco Uccellinil: Sonate, Correnti E Arie Dall'Opera Quarta" album is number 13 out of 27. On top of that, Italy appears to be the country where this track was created. Sonate, correnti et arie, Op. 4: No. 13, Corrente decima quinta a violino solo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonate, correnti et arie, Op. 4: No. 13, Corrente decima quinta a violino solo by Marco Uccellini, Ero Maria Barbero to be Lento (slowly) because the track has a tempo of 57 BPM, a half-time of 28BPM, and a double-time of 114 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mystery (Rosary) Sonata No. 3, "The Nativity": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B♭ Minor | 0 | 3A | 80 BPM | ||
Folias echa para mi Señora Doña Tarolilla de Carallenos | Andrea Falconieri, London Baroque | B Major | 3 | 1B | 78 BPM | ||
Sinfonia Nona A Tre Violoni: Sinfonia Nona A Tre Violoni | Marco Uccellini, Stradivaria, Daniel Cuiller, Anne Chevallerau, Emmanuel Schricke, Emmanuel Jacques, Charles-Édouard Fantin, Dominique Ferran, Dominique Daigremont | F♯ Minor | 1 | 11A | 64 BPM | ||
Quatuor No. 6 in E Minor: VI. Modéré | Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | E♭ Minor | 1 | 2A | 147 BPM | ||
Sonata in C Major (Weiss) - Allegro 1 and 2 | Edward Martin and Paul Berget | B Major | 2 | 1B | 90 BPM | ||
Prélude pour le Magnificat à quatre voix, H. 533 | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations | D♭ Minor | 2 | 12A | 93 BPM | ||
Consonancias de 1º Tom | Pedro de Araújo, Jordi Savall | C Major | 2 | 8B | 97 BPM | ||
La Sonnerie de Sainte-Geneviève du mont de Paris | Marin Marais, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 2 | 1A | 119 BPM | ||
Sonate, correnti et arie, Op. 4: Sonata XVIII | Marco Uccellini, Nicholas McGegan, The Arcadian Academy | F Major | 1 | 7B | 77 BPM | ||
Folia. Recercada 8ª | Diego Ortiz, La Reverencia | C Major | 4 | 8B | 126 BPM |
Section: 0.7378857135772705
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