"Bruckner: Christus factus est, WAB 11" by Anton Bruckner, Edward Higginbottom, Choir of New College, Oxford was released on 1996. With this song being about 5 minutes long, at 5:01, "Bruckner: Christus factus est, WAB 11" by Anton Bruckner, Edward Higginbottom, Choir of New College, Oxford is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 26 in Agnus Dei Volumes 1 & 2 by Edward Higginbottom. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Bruckner: Christus factus est, WAB 11 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bruckner: Christus factus est, WAB 11 by Anton Bruckner, Edward Higginbottom, Choir of New College, Oxford is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Son of God Mass: Amen | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Major | 2 | 8B | 88 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Exultate Justi | Lodovico Grossi da Viadana, Voices of Ascension Chorus, Dennis Keene | A Major | 1 | 11B | 78 BPM | ||
Faire is the heaven | William Henry Harris, Choir of New College, Oxford, Nicholas Wearne, Edward Higginbottom | D♭ Major | 1 | 3B | 101 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
Stabat Mater | Zoltán Kodály, Budapest Monteverdi Choir, Eva Kollar | B♭ Major | 1 | 6B | 120 BPM | ||
Marianne (arr. P. Wilby) | Philip Wilby, Traditional, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E Major | 0 | 12B | 76 BPM | ||
The Heavens' Flock | Ēriks Ešenvalds, Paulann Petersen, Portland State University Chamber Choir, Ethan Sperry | C Minor | 1 | 5A | 174 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM |
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