Dies irae, LWV 64/1: Oro supplex et acclinis
Jean-Baptiste Lully, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Alain Buet
Lully: Dies Irae, De Profundis, Te Deum
0:56 August 16, 2019
BPM
172
Key
B♭ Minor
Camelot
3A

Embed

Share Link

Dies irae, LWV 64/1: Oro supplex et acclinis - Jean-Baptiste Lully, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Alain Buet Information

Acousticness
98%
Danceability
17%
Energy
16%
Instrumentalness
1%
Liveness
11%
Loudness
68%
Speechiness
5%
Valence
7%
Popularity
Loudness
-19.47 dB

Summary

"Dies irae, LWV 64/1: Oro supplex et acclinis" by Jean-Baptiste Lully, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Alain Buet was released on August 16, 2019. With Dies irae, LWV 64/1: Oro supplex et acclinis being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jean-Baptiste Lully, Chœur De Chambre De Namur, Leonardo García-Alarcón, Millenium Orchestra's "Lully: Dies Irae, De Profundis, Te Deum" album is number 11 out of 26. On top of that, France appears to be the country where this track was created. The popularity of Dies irae, LWV 64/1: Oro supplex et acclinis is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Dies irae, LWV 64/1: Oro supplex et acclinis BPM

We consider the tempo marking of Dies irae, LWV 64/1: Oro supplex et acclinis by Jean-Baptiste Lully, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Alain Buet to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.

Dies irae, LWV 64/1: Oro supplex et acclinis Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio by Johann Sebastian Bach, Hilary HahnViolin Partita No. 3 in E Major, BWV 1006: I. PreludioJohann Sebastian Bach, Hilary HahnA Major311B126 BPM
Stabat Mater: 3. O quam tristis by Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie PearsonStabat Mater: 3. O quam tristisGiovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie PearsonG Minor16A80 BPM
Le Bourgeois Gentilhomme: 1er et 2nd espagnols enjoues ensemble by Jean-Baptiste Lully, La Simphonie Du Marais, Hugo Reyne, Philippe Roche, Yves CoudrayLe Bourgeois Gentilhomme: 1er et 2nd espagnols enjoues ensembleJean-Baptiste Lully, La Simphonie Du Marais, Hugo Reyne, Philippe Roche, Yves CoudrayA Major211B69 BPM
Phaeton: Acte I, Scène 1, Heureuse une âme indifférente ! by Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques, Gaëlle ArquezPhaeton: Acte I, Scène 1, Heureuse une âme indifférente !Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques, Gaëlle ArquezB♭ Minor23A119 BPM
Musiche sacre: No. 23, Canzon à 3 by Francesco Cavalli, London BaroqueMusiche sacre: No. 23, Canzon à 3Francesco Cavalli, London BaroqueA♭ Minor11A122 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo by Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : III. LargoArcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella IstropolitanaD Major110B78 BPM
Prélude pour Mr. Vaquelin (Improvisation d'après le Prélude en Sol mineur de Mr. de Sainte Colombe le fils) by Monsieur de Sainte-Colombe, Jordi SavallPrélude pour Mr. Vaquelin (Improvisation d'après le Prélude en Sol mineur de Mr. de Sainte Colombe le fils)Monsieur de Sainte-Colombe, Jordi SavallD♭ Minor012A49 BPM
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai by William Boyce, Academy of Ancient Music, Christopher HogwoodSymphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assaiWilliam Boyce, Academy of Ancient Music, Christopher HogwoodD♭ Major23B131 BPM
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) by Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von KarajanOrfeo Ed Euridice: Dance of the Blessed Spirits (Act II)Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von KarajanC Major18B75 BPM
Sonate No.4 (Six Sonates en symphonies op.3): 2. Aria: Andante gratioso by Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc MinkowskiSonate No.4 (Six Sonates en symphonies op.3): 2. Aria: Andante gratiosoJean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc MinkowskiB Minor010A102 BPM
ISRC
FR50X1844411
Label
L-M Records/RCA Records

Section: 0.5271165370941162

End: 0.5322206020355225