"Sonata Pian e Forte from Sacre Symphoniae (Arr. Leopold Stokowski)" by Giovanni Gabrieli, Matthias Bamert, BBC Philharmonic was released on March 1, 1995. Sonata Pian e Forte from Sacre Symphoniae (Arr. Leopold Stokowski) is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Stokowski Encores". In this album, this song's track order is #2. Sonata Pian e Forte from Sacre Symphoniae (Arr. Leopold Stokowski) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata Pian e Forte from Sacre Symphoniae (Arr. Leopold Stokowski) by Giovanni Gabrieli, Matthias Bamert, BBC Philharmonic having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sacrae symphoniae (1597): Canzon III a 4 | Giovanni Gabrieli, Andreas Sieling, Berlin Brass, Lucas Vis | F Minor | 0 | 4A | 94 BPM | ||
Mass for unaccompanied double choir: V. Agnus Dei | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 84 BPM | ||
Exaudiat te Dominus (Psalm 19): Gloria | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Major | 4 | 6B | 115 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
Romanzen, Book 1, Op. 69: No. 6. Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | B Major | 0 | 1B | 83 BPM | ||
Come All You Worthy Gentlemen | Robin Milford, Andrew Seivewright | C Major | 0 | 8B | 85 BPM | ||
Gabrieli, G: Sacrae symphoniae, Liber I: No. 27, Magnificat a 8, C. 32 | Giovanni Gabrieli, Michel Corboz, Coro Gulbenkian, Orquestra Gulbenkian | F Major | 1 | 7B | 82 BPM | ||
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM |
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