"Come All You Worthy Gentlemen" by Robin Milford, Andrew Seivewright was released on June 26, 2020. With Come All You Worthy Gentlemen being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Robin Milford, Andrew Seivewright's "Milford: The Organ Works" album is number 17 out of 20. Come All You Worthy Gentlemen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Come All You Worthy Gentlemen by Robin Milford, Andrew Seivewright to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 5 in F Major: II. Grave | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | F Major | 4 | 7B | 73 BPM | ||
Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a | Samuel Scheidt, Christoph Lehmann | A Major | 0 | 11B | 67 BPM | ||
Prelude & Fugue in A Minor, WoO 9: I. Prelude | Johannes Brahms, Konstantin Volostnov | B♭ Minor | 1 | 3A | 73 BPM | ||
Lyrical Movement, Op. 89 | Robin Milford, Robert Plane, Benjamin Frith | A Minor | 0 | 8A | 114 BPM | ||
When I Survey the Wondrous Cross | Andrey Jackson | D Major | 0 | 10B | 137 BPM | ||
3 Danzas Andaluzas, Op. 8: No. 2, Tango (Arr. for String Orchestra by Anonymous) | Joaquín Turina, Concerto Málaga, Gil De Gálvez | F Major | 0 | 7B | 105 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Duetto for Flute and Guitar in A Major, Op. 51 No. 3: I. Largo (Recomposed for Flute Solo by Luca Astolfoni Fossi) | Ferdinando Carulli, Claudio Ferrarini | G Minor | 2 | 6A | 69 BPM | ||
Vesper Voluntaries, Op. 14: No. 5 | Edward Harte | D Minor | 1 | 7A | 94 BPM | ||
Easter Toccata on "Christ ist Erstanden" | Paul Fey | F Minor | 2 | 4A | 70 BPM |
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