Soloist Orchestra Warzburg, Prof. Hanns Reinhartz made "Brandenburg Concerto No 3, Bwv 1048: Adagio" available on January 1, 1996. With Brandenburg Concerto No 3, Bwv 1048: Adagio being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "The Magnificent Baroque (Vol. 2)". In this album, this song's track order is #2. Brandenburg Concerto No 3, Bwv 1048: Adagio is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Brandenburg Concerto No 3, Bwv 1048: Adagio by Soloist Orchestra Warzburg, Prof. Hanns Reinhartz having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 3 in F Major: V. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 136 BPM | ||
Flute Concerto in G Major, Op. 9, No. 6: III. Allegro | Tomaso Albinoni, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | D Major | 2 | 10B | 184 BPM | ||
Water Music, Suite No. 3, HWV 350: No. 21, Gigue - No. 22, Gigue II - Gigue I da capo | George Frideric Handel, Philharmonia Baroque Orchestra, Nicholas McGegan | D♭ Major | 3 | 3B | 118 BPM | ||
Suite in G minor: IX. Passepied (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | B♭ Major | 1 | 6B | 82 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
Mozart: Divertimento in F Major, K. 138 "Salzburg Symphony No. 3": III. Presto | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | E Major | 1 | 12B | 135 BPM | ||
Sonata in D Major, (G. 1): II. Allegro | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | D Major | 4 | 10B | 124 BPM | ||
Symphony in C Major, W. I/6: II. Andante | Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | G Major | 0 | 9B | 85 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
Concerto Grosso in D Major, Op. 6, No. 1: V. Largo | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | C Major | 1 | 8B | 168 BPM |
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