Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik's 'Le Corsaire : Act I, No.10 Feminine Variation' came out on January 1, 2003. With Le Corsaire : Act I, No.10 Feminine Variation being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 30 in Ballet Highlights. Adam, Delibes by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Le Corsaire : Act I, No.10 Feminine Variation is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Le Corsaire : Act I, No.10 Feminine Variation by Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy Evening on the Sea). Allegro agitato | Edvard Grieg, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 69 BPM | ||
Ballet Suite No. 1 (Ed. Lev Atovmyan): V. Waltz - Joke (The Bolt) | Dmitri Shostakovich, Emin Khatchaturian, Moscow State Symphony Orchestra | C Major | 1 | 8B | 118 BPM | ||
Coppélia : Act III, No.20 Féte de la cloche - Divertissement 8a) Male variation | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | B Major | 2 | 1B | 83 BPM | ||
Coppelia: Act III - Valse des heures | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 119 BPM | ||
Carmen Suite No. 1: 4. Les dragons d'Alcala | Georges Bizet, Orchestre de Paris, Semyon Bychkov | G Major | 0 | 9B | 117 BPM | ||
Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 98 BPM | ||
Ballet Suite No. 4 (arr. L. Atovmyan): Waltz (The Song of Great Rivers) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 96 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
Don Quixote: Introduction | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 1 | 9B | 80 BPM | ||
Gaîté parisienne: Polka I | Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn | E♭ Major | 2 | 5B | 163 BPM |
Section: 0.5505921840667725
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