"Mascherata dell'Ingrate, SV 167 "Ballo delle ingrate": Dunque non ti rammenti (Venere, Plutone)" by Claudio Monteverdi, Paolo Costa, Walter Testolin, Delitiæ Musicæ, Marco Longhini was released on May 12, 2017. With Mascherata dell'Ingrate, SV 167 "Ballo delle ingrate": Dunque non ti rammenti (Venere, Plutone) being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini's "Monteverdi: Madrigals, Book 8" album is number 9 out of 85. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Mascherata dell'Ingrate, SV 167 "Ballo delle ingrate": Dunque non ti rammenti (Venere, Plutone) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mascherata dell'Ingrate, SV 167 "Ballo delle ingrate": Dunque non ti rammenti (Venere, Plutone) by Claudio Monteverdi, Paolo Costa, Walter Testolin, Delitiæ Musicæ, Marco Longhini to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Missa si Deus pro nobis, a 16 voci: I. Kyrie eleison | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 94 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Ich bin die Auferstehung und das Leben, SWV 464 | Heinrich Schütz, Vox Luminis, Lionel Meunier | D Minor | 1 | 7A | 134 BPM | ||
Marche de triomphe, H. 547/1 | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | C Major | 4 | 8B | 99 BPM | ||
Oedipus, Z.583: Music for a While | Henry Purcell, James Bowman, Academy of Ancient Music, Christopher Hogwood | F Major | 2 | 7B | 76 BPM | ||
San Casimiro, re di Polonia: Al serto le rose (Duetto) | Alessandro Scarlatti, Núria Rial, Valer Sabadus | A Major | 1 | 11B | 95 BPM | ||
Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa, Partie I "Non havea Febo ancora" | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | C Major | 0 | 8B | 104 BPM |
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