Carl Orff, Ross Pople's 'Carmina Burana: O Fortuna' came out on March 29, 1996. The duration of Carmina Burana: O Fortuna is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Carmina Burana: O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Carmina Burana: O Fortuna is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carmina Burana: O Fortuna by Carl Orff, Ross Pople having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 11 in a Major, K. 331: III. Rondo Alla Turca | David & Götz | A Major | 3 | 11B | 140 BPM | ||
Carmina Burana: Were diu werlt alle min | Carl Orff, Anne Margrethe Dahl, Blazej Grek, Jan Wolanski, Artur Rubinstein Philharmonic Choir, Arthur Rubinstein Philharmonic Orchestra, Ilya Stupel | A Major | 2 | 11B | 97 BPM | ||
Orff: Carmina Burana, Pt. 4, Blanziflor et Helena: Ave formosissima | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse | E Minor | 3 | 9A | 142 BPM | ||
Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | G Minor | 1 | 6A | 102 BPM | ||
The Magic Flute, K. 620: Act II, No.14. Aria: "Der Hölle Rache kocht in meinem Herzen" | Rundfunkorchester des Südwestfunks Baden-Baden | F Major | 1 | 7B | 144 BPM | ||
Mozart: Requiem in D Minor, K. 626: III. Dies irae | Nikolaus Harnoncourt, Vienna State Opera Chorus | G Minor | 4 | 6A | 77 BPM | ||
Agnus Dei, Op.11 | Samuel Barber, The Choir Of Trinity College, Cambridge, Richard Marlow | B♭ Minor | 0 | 3A | 64 BPM | ||
Il Lado Dei Cigni, Suite dal Balletto Op.20 | Armonie Symphony Orchestra | A Major | 1 | 11B | 116 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
Concerto No. 2 in G Minor, Op. 8 RV 315, "L'estate" (Summer): III. Presto | Emmy Verhey | C Minor | 5 | 5A | 139 BPM |
Section: 0.8157484531402588
End: 0.8197391033172607