Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch made "Die Zauberflöte - Singspiel in two acts, K. 620, Act II: Ein Mädchen oder Weibchen (Papageno) - 1987 Digital Remaster" available on 1973. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Wolfgang Sawallisch's "Mozart: The Magic Flute" album is number 21 out of 44. On top of that, Germany appears to be the country where this track was created. Die Zauberflöte - Singspiel in two acts, K. 620, Act II: Ein Mädchen oder Weibchen (Papageno) - 1987 Digital Remaster is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Die Zauberflöte - Singspiel in two acts, K. 620, Act II: Ein Mädchen oder Weibchen (Papageno) - 1987 Digital Remaster by Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 3: Canzona - Voi, Che Sapete | Donato Di Stefano, Patrizia Pace, Hungarian State Opera Orchestra, Ingrid Kertesi, Maria Pia Ionata, Jozsef Mukk, Natale de Carolis, Roberto Frontali, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | B♭ Major | 1 | 6B | 101 BPM | ||
Die Fledermaus / Act 2: "Mein Herr Marquis" | Johann Strauss II, Lucia Popp, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 133 BPM | ||
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM | ||
Don Giovanni, K.527 / Act 1: "Notte e giorno faticar" | Wolfgang Amadeus Mozart, Simon Keenlyside, Matti Salminen, Carmela Remigio, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado | F Major | 2 | 7B | 87 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Aria - Dove Sono I Bei Momenti? | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Maria Pia Ionata, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | C Major | 1 | 8B | 81 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Riccardo Muti, Susanne Mentzer, William Shimell, Wiener Philharmoniker | A Major | 1 | 11B | 67 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Papagena! Papagena!" | Wolfgang Amadeus Mozart, Hanno Müller-Brachmann, Soloists of the Tölzer Knabenchor, Dorothea Röschmann, Mahler Chamber Orchestra, Claudio Abbado | G Major | 2 | 9B | 128 BPM | ||
Mass in C minor, K.427 "Grosse Messe": 1. Kyrie | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 83 BPM | ||
Vesperae solennes de confessore in C, K.339: 3. Beatus vir qui timet Dominum (PS. 111/112) | Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | B Minor | 2 | 10A | 127 BPM |
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