Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein made "Mass in D Major, Op. 123 "Missa Solemnis": Credo: Et vitam venturi saeculi" available on January 1, 1996. With Mass in D Major, Op. 123 "Missa Solemnis": Credo: Et vitam venturi saeculi being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 21 in Beethoven: Missa Solemnis, Op. 123 by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Mass in D Major, Op. 123 "Missa Solemnis": Credo: Et vitam venturi saeculi is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Mass in D Major, Op. 123 "Missa Solemnis": Credo: Et vitam venturi saeculi by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act 2: "Herr, Chevalier, ich grüsse Sie!" | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Benno Kusche, Bernd Weikl, Hermann Prey, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 114 BPM | ||
Elijah, Op. 70, MWV A25 / Part 1: "Yet doth the Lord see it not" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | C Major | 2 | 8B | 99 BPM | ||
Symphony No. 39 in E-Flat Major, K. 543: 2. Andante con moto | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Karl Böhm | A♭ Major | 1 | 4B | 93 BPM | ||
Lucia di Lammermoor / Act 1: "Regnava nel silenzio" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 86 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: III. Allegro non troppo - Allegro molto vivace | Felix Mendelssohn, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 78 BPM | ||
Symphony No. 9 in D Minor, Op. 125, "Choral": IV. Finale: Presto - Allegro assai (excerpt) | Ludwig van Beethoven, Gabriele Lechner, Diane Elias, Michael Pabst, Robert Holzer, Zagreb Philharmonic Chorus, Zagreb Philharmonic Orchestra, Richard Edlinger | G Major | 2 | 9B | 131 BPM | ||
Tosca / Act I: "Un tal baccano in chiesa! Bel rispetto!" | Giacomo Puccini, Heinz Zednik, Ruggero Raimondi, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 73 BPM | ||
L'elisir d'amore, Act I: "Benedette queste carte!" | Gaetano Donizetti, Kathleen Battle, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, David Stivender, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 102 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "Ode to Joy" | Ludwig van Beethoven, London Philharmonic Choir, The London Chorus, David Parry, London Philharmonic Orchestra | D Major | 6 | 10B | 76 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM |
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