"Die Fledermaus / Act 2: "Herr, Chevalier, ich grüsse Sie!"" by Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Benno Kusche, Bernd Weikl, Hermann Prey, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber was released on January 1, 1976. With this song being about 5 minutes long, at 5:21, "Die Fledermaus / Act 2: "Herr, Chevalier, ich grüsse Sie!"" by Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Benno Kusche, Bernd Weikl, Hermann Prey, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 37 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #13. In terms of popularity, Die Fledermaus / Act 2: "Herr, Chevalier, ich grüsse Sie!" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Fledermaus / Act 2: "Herr, Chevalier, ich grüsse Sie!" by Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Benno Kusche, Bernd Weikl, Hermann Prey, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Favorita / Act 3: "O mio Fernando, della terra il trono" | Gaetano Donizetti, Fiorenza Cossotto, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | C Major | 1 | 8B | 127 BPM | ||
Wagner: Die Meistersinger von Nürnberg, Act 1: "Eva, mein einzig Kind, zur Eh'" (Chor, Vogelgesang, Sachs, Kothner, Nachtigall, Beckmesser) | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch, Bernd Weikl, Chor der Bayerischen Staatsoper, Hans Wilbrink, Hans-Joachim Ketelsen, Michael Shade, Siegfried Lorenz | C Major | 2 | 8B | 108 BPM | ||
Les yeux noirs (Otschi Kornia) | Ivan Rebroff | E Minor | 5 | 9A | 105 BPM | ||
Wagner: Die Meistersinger von Nürnberg, Act 1: "Am stillen Herd in Winterzeit" (Walther, Sachs, Beckmesser, Kothner, Vogelgesang, Nachtigall) | Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra | D Major | 2 | 10B | 66 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 1) Entr'acte and Waltz With Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Verdi: Aida, Act 2: "Vieni, o guerriero vindice" (Popolo, Sacerdoti) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | E♭ Major | 4 | 5B | 75 BPM | ||
Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Die Meistersinger von Nürnberg, Act 3, Scene 2: "Abendlich glühend in himmlischer Pracht" | Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra | F Major | 1 | 7B | 77 BPM | ||
Der Freischütz, J. 277 / Act 3: "Schaut, o schaut! Er traf die eigne Braut!" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Siegfried Vogel, Theo Adam, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 174 BPM | ||
Matuschka | Ivan Rebroff | C Major | 5 | 8B | 142 BPM |
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