Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains)
Hubert Parry, Crouch End Festival Chorus, London Mozart Players, William Vann
Parry: Scenes from Shelley's Prometheus Unbound, Blest Pair of Sirens
2:00 September 8, 2023
BPM
119
Key
A Minor
Camelot
8A

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Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains) - Hubert Parry, Crouch End Festival Chorus, London Mozart Players, William Vann Information

Acousticness
83%
Danceability
20%
Energy
38%
Instrumentalness
97%
Liveness
11%
Loudness
72%
Speechiness
4%
Valence
10%
Popularity
Loudness
-16.532 dB

Summary

"Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains)" by Hubert Parry, Crouch End Festival Chorus, London Mozart Players, William Vann was released on September 8, 2023. The duration of Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Parry: Scenes from Shelley's Prometheus Unbound, Blest Pair of Sirens". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains) BPM

With Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains) by Hubert Parry, Crouch End Festival Chorus, London Mozart Players, William Vann having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains) Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

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ISRC
GBLWD2305104
Label
L-M Records/RCA Records

Section: 0.9017236232757568

End: 0.905677080154419