"Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains)" by Hubert Parry, Crouch End Festival Chorus, London Mozart Players, William Vann was released on September 8, 2023. The duration of Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Parry: Scenes from Shelley's Prometheus Unbound, Blest Pair of Sirens". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains) by Hubert Parry, Crouch End Festival Chorus, London Mozart Players, William Vann having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem - Herbert Howells: III. Requiem Aeternam (I) | Dale Warland Singers | E Minor | 0 | 9A | 83 BPM | ||
A Shropshire Lad | George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult | F Minor | 1 | 4A | 77 BPM | ||
Shulbrede Tunes: II. Elizabeth | Hubert Parry, Christopher Howell | F Major | 1 | 7B | 81 BPM | ||
Hear my words, ye people | Hubert Parry, Catherine Shaw, George Parris, Sidney Sussex College Choir, Cambridge, Anita Datta, Rachel Haworth, David Skinner | F Major | 1 | 7B | 138 BPM | ||
Trumpet Voluntary | Jeremiah Clarke, The Prague Brass Soloists | A Major | 1 | 11B | 113 BPM | ||
Drop, Drop, Slow Tears a 4 | Orlando Gibbons, Gabrieli, Paul McCreesh | E Major | 0 | 12B | 72 BPM | ||
Clarke: Suite in D Major IV. Prince of Denmark's March "Trumpet Voluntary" (Arr. Antonsen and Marshall for Trumpet and Organ) | Jeremiah Clarke, Wayne Marshall, Ole Edvard Antonsen | D Major | 1 | 10B | 64 BPM | ||
Jerusalem (And did those feet in ancient time) | Hubert Parry, Royal Choral Society, London Philharmonic Orchestra & Sir Andrew Davis, Andrew Davis, London Philharmonic Orchestra | F Major | 2 | 7B | 88 BPM | ||
Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | A♭ Major | 1 | 4B | 171 BPM |
Section: 0.9017236232757568
End: 0.905677080154419