"Hear my words, ye people" by Hubert Parry, Catherine Shaw, George Parris, Sidney Sussex College Choir, Cambridge, Anita Datta, Rachel Haworth, David Skinner was released on October 1, 2013. Hear my words, ye people appears to be safe for all ages as it is not explicit. The track order of this song in Sidney Sussex College Choir, Cambridge, David Skinner's "Great Choral Anthems" album is number 14 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Hear my words, ye people's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hear my words, ye people by Hubert Parry, Catherine Shaw, George Parris, Sidney Sussex College Choir, Cambridge, Anita Datta, Rachel Haworth, David Skinner to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rule Britannia | Thomas Arne, Della Jones, Royal Choral Society, BBC Concert Orchestra, Barry Wordsworth | B♭ Major | 4 | 6B | 83 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
An English Suite: I. Prelude | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | G Major | 2 | 9B | 111 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: I. Kyrie | Louis Vierne, Michel Bouvard | D♭ Minor | 2 | 12A | 73 BPM | ||
Coe Fen "How Shall I Sing That Majesty" | Ken Naylor, Salisbury Cathedral Choir, John Challenger, David Halls | E Major | 2 | 12B | 96 BPM | ||
3 Nocturnes: No. 1. Ballade to the Moon | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Major | 0 | 12B | 66 BPM | ||
Cinquième Symphonie. Toccata | Olivier Latry | F Major | 4 | 7B | 58 BPM | ||
Miniature Dance Suite, Op. 124: Graceful Dance | Cecil Armstrong Gibbs, Royal Ballet Sinfonia, David Lloyd-Jones | C Major | 0 | 8B | 91 BPM | ||
The Prince of Denmark's March (Arr. Henry Wood) | Jeremiah Clarke, Henry Joseph Wood, West Australian Symphony Orchestra, Benjamin Northey | D Major | 2 | 10B | 130 BPM |
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