- BPM
- 69
- Key
- E Minor
- Camelot
- 9A
Fifth Fanfare for the Uncommon Woman - Joan Tower, American Brass Quintet Information
- Acousticness
- 99%
- Danceability
- 27%
- Energy
- 7%
- Instrumentalness
- 90%
- Liveness
- 10%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 3%
- Popularity
- 7%
- Loudness
- -23.097 dB
Summary
"Fifth Fanfare for the Uncommon Woman" by Joan Tower, American Brass Quintet was released on 2003. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 9 in American Visions by American Brass Quintet. Fifth Fanfare for the Uncommon Woman is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Fifth Fanfare for the Uncommon Woman BPM
The tempo marking of Fifth Fanfare for the Uncommon Woman by Joan Tower, American Brass Quintet is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Fifth Fanfare for the Uncommon Woman Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | |
 | Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | |
 | The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM | |
 | Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | |
 | Small | Joan Tower, Evelyn Glennie | D♭ Major | 6 | 3B | 141 BPM | |
 | IV. Nicht schnell | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | G Major | 0 | 9B | 103 BPM | |
 | Concerto for Violin and Orchestra: IV. Fast | Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM | |
 | Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | |
 | Tabula rasa: I. Ludum | Arvo Pärt, Amsterdam Sinfonietta, Candida Thompson, Simone Lamsma | A Minor | 2 | 8A | 121 BPM | |
 | Symphony No. 3 in F Major, Op. 90: II. Andante (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7315287590026855
End: 0.7358813285827637