Gaetano Donizetti, Salvatore Cammarano, Walter Scott, Erika Köth/Rudolf Schock/Josef Metternich/Manfred Schmidt /Gottlob Frick/Hertha Töpper /Chor der Städtischen Oper Berlin/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker's 'LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, zweite Szene: - Wer vermag', den Zorn zu hemmen (Sextett: Arthur - Henry - Lucia - Raimund - Edgard - Alisa - Chor)' came out on April 12, 2013. The duration of LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, zweite Szene: - Wer vermag', den Zorn zu hemmen (Sextett: Arthur - Henry - Lucia - Raimund - Edgard - Alisa - Chor) is about 3 minutes long, at 3:27. Based on our data, "LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, zweite Szene: - Wer vermag', den Zorn zu hemmen (Sextett: Arthur - Henry - Lucia - Raimund - Edgard - Alisa - Chor)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 16 in Donizetti: Lucia di Lammermoor [Electrola Querschnitte] by Walter Scott, Salvatore Cammarano, Gaetano Donizetti, Erika Köth/Josef Metternich/Gottlob Frick/Rudolf Schock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, zweite Szene: - Wer vermag', den Zorn zu hemmen (Sextett: Arthur - Henry - Lucia - Raimund - Edgard - Alisa - Chor) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Erster Akt, zweite Szene: - Wer vermag', den Zorn zu hemmen (Sextett: Arthur - Henry - Lucia - Raimund - Edgard - Alisa - Chor) by Gaetano Donizetti, Salvatore Cammarano, Walter Scott, Erika Köth/Rudolf Schock/Josef Metternich/Manfred Schmidt /Gottlob Frick/Hertha Töpper /Chor der Städtischen Oper Berlin/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM | ||
Handel: Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) | George Frideric Handel, Jennifer Larmore, Jesús López-Cobos, Orchestre de Chambre de Lausanne | A♭ Major | 0 | 4B | 181 BPM | ||
L'elisir d'amore, Act II: Una furtiva lagrima | Gaetano Donizetti, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Minor | 1 | 3A | 80 BPM | ||
Die tote Stadt: "Glück, das mir verblieb" | Erich Wolfgang Korngold, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | B♭ Major | 1 | 6B | 171 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 0 | 8B | 101 BPM | ||
Lucia di Lammermoor / Act 3: "S'avanza Enrico" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 0 | 9B | 107 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Madame Butterfly: "Addio fiorito asil" | Mario del Monaco | D♭ Major | 4 | 3B | 88 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM |
Section: 0.7394886016845703
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