"Symphony No. 3, "The Camp Meeting": II. Children's Day" by Charles Ives, Royal Northern Sinfonia, James Sinclair was released on February 23, 2003. Since Symphony No. 3, "The Camp Meeting": II. Children's Day is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Charles Ives, James Sinclair's "Ives: Symphony No. 3 / Washington's Birthday" album is number 2 out of 8. Based on our statistics, Symphony No. 3, "The Camp Meeting": II. Children's Day's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 3, "The Camp Meeting": II. Children's Day by Charles Ives, Royal Northern Sinfonia, James Sinclair to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Klavierstück in E Major | Anton Webern, Jean-Jacques Dünki | E Major | 1 | 12B | 63 BPM | ||
Violin Sonata (version for clarinet and piano): II. Lento | Emma Johnson | E♭ Major | 0 | 5B | 73 BPM | ||
3 Pieces for Orchestra, Op. 6: 1. Praeludium (Prelude) | Alban Berg, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 128 BPM | ||
Montgomery Variations: VI. Lament | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 87 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 0 | 1A | 84 BPM | ||
Dance Preludes *: No. 1. Allegro molto | Witold Lutosławski, Charles West, Susan Grace | B Major | 3 | 1B | 100 BPM | ||
Shchedrin: Carmen Suite: I. Introduction (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
String Quartet in G Minor, Op. 10: II. Assez vif et bien rythmé | Claude Debussy, Quatuor Ébène | C Minor | 2 | 5A | 160 BPM |
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