Dmitri Hvorostovsky made "Buon giorno, amore!" available on 2009. With this song being about 5 minutes long, at 4:46, "Buon giorno, amore!" by Dmitri Hvorostovsky is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in Дежавю Pt.2, so we believe that "Buon giorno, amore!" is a single. In terms of popularity, Buon giorno, amore! is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Buon giorno, amore! by Dmitri Hvorostovsky is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D♭ Major | 1 | 3B | 93 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
None But the Lonely Heart, Op. 6 No. 6 | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Oleg Boshniakovich | D♭ Major | 0 | 3B | 93 BPM | ||
The Queen of Spades (Pique Dame), Op. 68: Act II Scene 1: Vy tak pechalny, dorogaya, kak budto gore yest u vas … - Ya vas lyublyu (Yeletsky, Lisa) | Pyotr Ilyich Tchaikovsky, Sergej Larin, Elena Prokina, Vassily Gerello, Dmitri Hvorostovsky, Elena Obraztsova, Marina Domashenko, Irina Vaschenko, Alexei Maslov, Spiritual Revival Choir of Russia, Russian Philharmonia, Constantine Orbelian | E♭ Major | 3 | 5B | 84 BPM | ||
Благодарю тебя | Dmitri Hvorostovsky, Государственный академический камерный оркестр России, Константин Орбелян | D♭ Major | 5 | 3B | 78 BPM | ||
Vittoria, mio core! (Arr. Reynolds) | Giacomo Carissimi, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | F♯ Major | 1 | 2B | 109 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
La Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me sereno | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A♭ Major | 1 | 4B | 113 BPM | ||
Gde-to Daleko (Pesnya o Dalekoy Rodine) (Somewhere Far Away) | Evgeny Stetsyuk, Mikael Tariverdiev, Dmitri Hvorostovsky, Spiritual Revival Choir of Russia, Style of Five, Moscow Chamber Orchestra, Constantine Orbelian | A Minor | 1 | 8A | 62 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM |
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