"Sospitati dedit" by Walter Frye, Capella Cordina, Alejandro Planchart was released on March 29, 2012. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Walter Frye, Capella Cordina's "Music of the English Renaissance" album is number 12 out of 12. On top of that, United States appears to be the country where this track was created. Sospitati dedit is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sospitati dedit by Walter Frye, Capella Cordina, Alejandro Planchart to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
Josquin: Missa Pange Lingua - 1b. Christe | The Tallis Scholars, Peter Phillips | C Minor | 0 | 5A | 80 BPM | ||
Juste judex, Jesus Christe | Psalterium, Public Domain | A Minor | 1 | 8A | 78 BPM | ||
Canon a 3 voc. in unisono, Cantio Sacra | Samuel Scheidt, The Royal Wind Music, Paul Leenhouts | B♭ Minor | 0 | 3A | 80 BPM | ||
O crux benedicta | Mignarda | A♭ Minor | 0 | 1A | 90 BPM | ||
Il megli’ è pur tacere | Niccolò da Perugia, Anna Danilevskaia, Sollazzo Ensemble | F Minor | 1 | 4A | 131 BPM | ||
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) | Béla Bartók, Schola Hungarica, László Dobszay | B♭ Minor | 0 | 3A | 76 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: I. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
A chantar m'er de so qu'eu no volria | Comtessa de Dia, Ensemble Apotropaïk, Louise Bouedo, Clément Stagnol, Marie-Domitille Murez, Clémence Niclas | B♭ Minor | 0 | 3A | 78 BPM |
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