Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica's 'María Manuela: "María Manuela, ¡Calle!¡Qué Horror!..."' came out on December 3, 2013. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zarzuela: María Manuela by Federico Moreno Torroba, Guillermo Fernández-Shaw, Federico Romero, Gran Orquesta Sinfonica. The song's track number on the album is #11 out of 16 tracks. Based on our data, Spain was the country where this track was produced or recorded. Based on our statistics, María Manuela: "María Manuela, ¡Calle!¡Qué Horror!..."'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since María Manuela: "María Manuela, ¡Calle!¡Qué Horror!..." by Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With María Manuela: "María Manuela, ¡Calle!¡Qué Horror!..." being at 121 BPM, the half-time would be 60 BPM with a double-time of 242 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Tabernera del Puerto: "Romanza de tenor" - Remastered | Federico Romero, Gillermo Fernández Shaw, Pablo Sorozábal, Guillermo Fernández-Shaw, Alfredo Kraus, Orquesta de Conciertos de Madrid | F♯ Major | 2 | 2B | 178 BPM | ||
Por Ser la Virgen | Orquesta Sinfónica Española | D Major | 2 | 10B | 162 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
La Boda de Luis Alonso | Orquesta Sinfónica Española | A Major | 3 | 11B | 112 BPM | ||
Santa Lucia luntana | Luca Lupoli, Compagnia D'Opera Italiana, Antonello Gotta | F Major | 2 | 7B | 81 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
Doña Francisquita: Cuando Un Hombre Se Quiere Casar | Federico Romero, Coro Cantores de Madrid, Pablo Sorozábal, Orquesta Conciertos De Madrid | E♭ Major | 4 | 5B | 129 BPM | ||
Air des bijoux | Charles Gounod, Anna Moffo, Tullio Serafin | E Major | 1 | 12B | 117 BPM | ||
Katiuska: Cosacos de kazán | Pablo Sorozábal | C Major | 6 | 8B | 143 BPM |
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