Paul Mealor, David Childs, Ben Gernon, BBC Philharmonic's 'Concerto for Euphonium and Orchestra: Allegro con brio' came out on November 1, 2019. The duration of Concerto for Euphonium and Orchestra: Allegro con brio is about 3 minutes long, at 3:22. Based on our data, "Concerto for Euphonium and Orchestra: Allegro con brio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "The Symphonic Euphonium II". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Concerto for Euphonium and Orchestra: Allegro con brio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concerto for Euphonium and Orchestra: Allegro con brio by Paul Mealor, David Childs, Ben Gernon, BBC Philharmonic having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 124 BPM | ||
Diomedes: Anna Magdalena Notenbuch (Clavier-Buchlein III): Bist du bei mir, BWV 508 (attrib. G.H. Stolzel) | Gottfried Heinrich Stölzel, Christine Brewer, Paul Jacobs | D♭ Major | 2 | 3B | 69 BPM | ||
Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
For the Beauty of the Earth (Version for Choir & Piano) | Philip Stopford, The Ecclesium Choir | A♭ Major | 1 | 4B | 143 BPM | ||
The Beatitudes | Paul Mealor, Susan Radif, Sofia Vokalensemble, Bengt Ollen | B Major | 1 | 1B | 130 BPM | ||
L'amour, le temps | Bernat Vivancos, Sigvards Kļava, Latvian Radio Choir | A Minor | 0 | 8A | 77 BPM | ||
Heyr himna smiður | Þorkell Sigurbjörnsson, Schola Cantorum Reykjavicensis, Hörður Áskelsson | A Minor | 1 | 8A | 74 BPM | ||
Crucifixus: IV. Drop, Drop, Slow Tears | Paul Mealor, Exultate Chamber Choir & Orchestra, Thomas D. Rossin | C Major | 2 | 8B | 179 BPM | ||
Only in Sleep | The Wartburg Choir, Dr. Lee Nelson | G Major | 1 | 9B | 75 BPM | ||
Responsory: O felix anima | Hildegard von Bingen, Anonymous 4 | B♭ Minor | 0 | 3A | 103 BPM |
Section: 0.6330299377441406
End: 0.6385040283203125