"Diomedes: Anna Magdalena Notenbuch (Clavier-Buchlein III): Bist du bei mir, BWV 508 (attrib. G.H. Stolzel)" by Gottfried Heinrich Stölzel, Christine Brewer, Paul Jacobs was released on September 4, 2015. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 16 in Divine Redeemer by Christine Brewer, Paul Jacobs. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Diomedes: Anna Magdalena Notenbuch (Clavier-Buchlein III): Bist du bei mir, BWV 508 (attrib. G.H. Stolzel) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Diomedes: Anna Magdalena Notenbuch (Clavier-Buchlein III): Bist du bei mir, BWV 508 (attrib. G.H. Stolzel) by Gottfried Heinrich Stölzel, Christine Brewer, Paul Jacobs is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM | ||
Agnus Dei, Op. 11 | Samuel Barber, Conspirare, Craig Hella Johnson | B♭ Minor | 0 | 3A | 73 BPM | ||
Der Freischütz, Act II: Terzett - "Wie? Was? Entsetzen!" | Carl Maria von Weber, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis, Sally Matthews, Simon O'Neill, Christine Brewer | E Major | 2 | 12B | 60 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 1: I. "Veni, creator spiritus" (I) - Live | Gustav Mahler, Royal Concertgebouw Orchestra, Camilla Nylund, Christine Brewer, Mihoko Fujimura, Robert Dean Smith, Stephanie Blythe, Tommi Hakala, Mariss Jansons | A♭ Major | 3 | 4B | 118 BPM | ||
In ecclesiis (a 14), C78 | Giovanni Gabrieli, His Majestys Sagbutts & Cornetts, Ensemble of King's College, Cambridge, Stephen Cleobury | A Minor | 1 | 8A | 79 BPM | ||
Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
Don Giovanni, K. 527, Act II: Sestetto. Sola, sola in buio loco - Tergi il ciglio, o vita mia - Fermo, briccone | Wolfgang Amadeus Mozart, Scottish Chamber Orchestra, Sir Charles Mackerras, Alessandro Corbelli, Jerry Hadley, Christine Brewer, Felicity Lott, Nuccia Focile, Umberto Chiummo | D♭ Major | 0 | 3B | 172 BPM | ||
Gloria in D Major, RV 589: 1. Gloria in excelsis | Antonio Vivaldi, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | D♭ Major | 3 | 3B | 128 BPM | ||
Requiem: Salvator mundi | Herbert Howells, Choir of St. John's College, Cambridge, Christopher Robinson | G Major | 0 | 9B | 139 BPM |
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