"Theme and Variations on “Ma jeunesse a une fin”: II. Intermezzo" by Pierre Cochereau, Pierre Pincemaille was released on September 10, 2002. With Theme and Variations on “Ma jeunesse a une fin”: II. Intermezzo being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 11 out of 15 in Cochereau: The Written Works by Pierre Cochereau, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Theme and Variations on “Ma jeunesse a une fin”: II. Intermezzo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Theme and Variations on “Ma jeunesse a une fin”: II. Intermezzo by Pierre Cochereau, Pierre Pincemaille is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata in D Major, P460 | Johann Pachelbel, Matthew Owens | F♯ Major | 0 | 2B | 123 BPM | ||
Svete tikhii (Gentle light) | Victor Kalinnikov, St.Petersburg Chamber Choir, Nikolai Korniev | F Major | 1 | 7B | 74 BPM | ||
Misa a Buenos Aires "Misatango": Benedictus | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | G Major | 1 | 9B | 89 BPM | ||
Dark World (from "Final Fantasy VI") | Jason de Roeck | F Major | 2 | 7B | 65 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Glorification of the Mother of God | Georgy Sviridov, Ivanna Bondaruk, Credo Chamber Choir, Bogdan Plish | G Major | 0 | 9B | 132 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
Missa “Salve Regina”: I. Kyrie | Jean Langlais, Pierre Cochereau, Choir of Notre-Dame in Paris, Choir of Sainte-Marie d’Antony, Choir of the Resurrection of Asnières, Roger Delmotte Brass Ensemble, Georges Bessonnet, Patrick Giraud | A Minor | 2 | 8A | 65 BPM | ||
Bells: The Bells of the Cathedral Basilica of Montecassino | Public Domain, Monastic Choir of the Solemnity of Saint Benedict, Stefano Concordia | F Minor | 4 | 4A | 138 BPM | ||
Durazzo Harbour | Marie Glacier | A Major | 1 | 11B | 56 BPM | ||
Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 128 BPM |
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