"Missa “Salve Regina”: I. Kyrie" by Jean Langlais, Pierre Cochereau, Choir of Notre-Dame in Paris, Choir of Sainte-Marie d’Antony, Choir of the Resurrection of Asnières, Roger Delmotte Brass Ensemble, Georges Bessonnet, Patrick Giraud was released on 1979. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jean Langlais, Pierre Cochereau, Choir of Notre-Dame in Paris, Choir of Sainte-Marie d’Antony, Choir of the Resurrection of Asnières, Roger Delmotte Brass Ensemble, Georges Bessonnet, Patrick Giraud, Roger Delmotte, Jehan Revert, Jacques Marichal's "Langlais at Notre-Dame in Paris" album is number 1 out of 11. Missa “Salve Regina”: I. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa “Salve Regina”: I. Kyrie by Jean Langlais, Pierre Cochereau, Choir of Notre-Dame in Paris, Choir of Sainte-Marie d’Antony, Choir of the Resurrection of Asnières, Roger Delmotte Brass Ensemble, Georges Bessonnet, Patrick Giraud to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lille Almanak – Little Almanac 3 | Finn Mathiassen, Harald Herdal, Jens Peter Jacobsen, Musikstuderendes Kammerkor | G Minor | 0 | 6A | 75 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM | ||
Joy: Joy | Margaret Bonds, Conspirare, Carla McElhaney, Craig Hella Johnson | F Major | 3 | 7B | 123 BPM | ||
Pingst | John Lindberg, Academy Chamber Choir of Uppsala, Stefan Parkman | D Minor | 1 | 7A | 115 BPM | ||
Duruflé: 4 Motets sur des thèmes grégoriens, Op. 10: No. 1, Ubi caritas | Maurice Duruflé, Maitrise Notre-Dame De Paris, Henri Chalet | B♭ Major | 1 | 6B | 78 BPM | ||
2 Choeurs, Op. 68: No. 2. Les fleurs et les arbres | Camille Saint-Saëns, musica intima | E♭ Major | 1 | 5B | 76 BPM | ||
Sheppard: Missa Cantate - 2k. Et vitam venturi saeculi | John Sheppard, The Tallis Scholars, Peter Phillips | F Major | 4 | 7B | 57 BPM | ||
Hymnus Eucharisticus | Benjamin Rogers, The Choir of Magdalen College, Oxford, Mark Williams | A Minor | 2 | 8A | 106 BPM | ||
Svjatki: I. Glory! | Galina Grigorjeva, Estonian Philharmonic Chamber Choir, Paul Hillier | B♭ Major | 3 | 6B | 83 BPM |
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