Benjamin Rogers, The Choir of Magdalen College, Oxford, Mark Williams's 'Hymnus Eucharisticus' came out on April 22, 2022. The duration of Hymnus Eucharisticus is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Hymnus Eucharisticus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "The Sweet and Merry Month: Music for May Morning". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Hymnus Eucharisticus is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hymnus Eucharisticus by Benjamin Rogers, The Choir of Magdalen College, Oxford, Mark Williams having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Defender of Us All | Daniel & Sandra Nicholls | G Minor | 1 | 6A | 78 BPM | ||
Sketch for Acappella (For Vocal Quartet) | Dora Garcidueñas, María José, Tom Smith, Samuel Penderbayne | B♭ Minor | 4 | 3A | 77 BPM | ||
I Need Thee | Amsterdam Staff Songsters of the Salvation Army | G Major | 0 | 9B | 68 BPM | ||
Magnificat in C Minor | George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintock | A Major | 0 | 11B | 77 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): The Nativity of Christ: It is meet | Georgy Sviridov, Ivanna Bondaruk, Credo Chamber Choir, Bogdan Plish | F Major | 1 | 7B | 78 BPM | ||
MASS: No. 7, Prayer for the Congregation "Almighty Father" | Leonard Bernstein, Wiener Singakademie, Unknown Artist, Dennis Russell Davies | C Major | 0 | 8B | 131 BPM | ||
Annelies (chamber version): VI. Courage | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | B Minor | 0 | 10A | 137 BPM | ||
Omnes gentes plaudite manibus | Christopher Tye, The Choir of Magdalen College, Oxford, Bill Ives | C Major | 2 | 8B | 85 BPM | ||
Mass in D Major, Op. 86, B. 153: IV. Sanctus | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 2 | 10B | 140 BPM |
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