René Jacobs, Alan Curtis, Il Complesso Barocco made "Handel: Admeto, HWV 22, Act 1: "Un lampo è la speranza" (Admeto)" available on 1978. The duration of Handel: Admeto, HWV 22, Act 1: "Un lampo è la speranza" (Admeto) is about 3 minutes long, at 3:25. Based on our data, "Handel: Admeto, HWV 22, Act 1: "Un lampo è la speranza" (Admeto)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in René Jacobs, Alan Curtis's "Handel - Admeto, re di Tessaglia" album is number 19 out of 75. The popularity of Handel: Admeto, HWV 22, Act 1: "Un lampo è la speranza" (Admeto) is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Handel: Admeto, HWV 22, Act 1: "Un lampo è la speranza" (Admeto) by René Jacobs, Alan Curtis, Il Complesso Barocco to be Presto (very, very fast) because the track has a tempo of 184 BPM, a half-time of 92BPM, and a double-time of 368 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Maddalena ai piedi di Cristo: No. 44 Recitativo Maddalena, Fariseo "Mio Dio, mio Redentor" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr, Ulrich Messthaler | E♭ Major | 2 | 5B | 160 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 132 BPM | ||
Gloria: Qui sedes ad dexteram Patris | Antonio Vivaldi, Margaret Cameron, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 1 | 3A | 109 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: I. Allegro con spirito | Johann Christian Bach, Miklós Spányi, Concerto Armonico Budapest, Péter Szűts | A♭ Major | 1 | 4B | 147 BPM | ||
Cypresses B.152: 2. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Minor | 1 | 4A | 89 BPM | ||
Brockes-Passion, TWV 5:1, II. Teil: 97. Rezitativ: Evangelist. "Und um die neuente Stund'" / ... / 102. Accompagnato: Jesus. "Mich dürstet!" | Georg Philipp Telemann, Daniel Behle, Akademie für Alte Musik Berlin, Johannes Weisser, René Jacobs | D Major | 1 | 10B | 129 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: III. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | D Major | 1 | 10B | 97 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": IV. Presto and Finale. Saltarello | Felix Mendelssohn, Freiburger Barockorchester, Pablo Heras-Casado | E Minor | 1 | 9A | 100 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. Recitativo Susanna, Figaro "Cosa stai misurando" | Wolfgang Amadeus Mozart, Concerto Köln, Lorenzo Regazzo, Patrizia Ciofi, René Jacobs | A Minor | 1 | 8A | 101 BPM | ||
Der Sommer: "Welche Labung für die Sinne | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen | F Major | 0 | 7B | 80 BPM |
Section: 0.6862399578094482
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