"Chateau Margaux: "Preludio" - Remastered" by Manuel Fernandez Caballero, José Jackson Veyán, Gran Orquesta Sinfonica, Nicasio Tejada was released on May 15, 1955. With Chateau Margaux: "Preludio" - Remastered being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists, Nicasio Tejada, Benito Laurent, Orquesta Sinfonica's "La Zarzuela: La Alegría del Batallón / Chateau Margaux" album is number 6 out of 10. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Chateau Margaux: "Preludio" - Remastered is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chateau Margaux: "Preludio" - Remastered by Manuel Fernandez Caballero, José Jackson Veyán, Gran Orquesta Sinfonica, Nicasio Tejada to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Turandot, Act 1: "Padre! Mio Padre!" (Calaf, Liù, Crowd, Timur) | Giacomo Puccini, Eugenio Fernandi, Elisabeth Schwarzkopf, Nicola Zaccaria, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Eugenio Fernandi, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
El Dictador, Acto II: Mi Carta Mujer de Mis Amores (Romanza de la Carta, Boris) - Remastered | Federico Romero, Guillermo Fernández-Shaw, Rafael Millán, Rafael Millá, Marcos Redondo | B♭ Major | 3 | 6B | 178 BPM | ||
Danses Polovtiennes | Les Chœurs De L'armée Rouge | A Major | 2 | 11B | 44 BPM | ||
Lucia di Lammermoor, Act II: Chi mi frena in tal momento | Gaetano Donizetti, Andrea Bocelli, Stefano Antonucci, Zuzana Markova, Mariano Buccino, Carlotta Vichi, Marcello Nardis, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D♭ Major | 4 | 3B | 78 BPM | ||
Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM | ||
Don Gil de Alcalá: Juntos en Este Jardín (Romanza de Don Gil) - Remastered | Manuel Penella, Marcos Redondo | F♯ Major | 2 | 2B | 69 BPM | ||
Los Gavilanes: "Amigos, siempre amigos" | Coro Cantores de Madrid, Teresa Berganza | A Major | 2 | 11B | 129 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Soffriva nel pianto ... Un folle t' accese" (Lucia, Enrico) | Gaetano Donizetti, Maria Callas, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | D Major | 1 | 10B | 169 BPM | ||
La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Silvia Tro, Maria Bayo, Ana M. Amengual, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | D Major | 2 | 10B | 76 BPM | ||
La gran via: Coro y mazurca de los marineritos | Ana Maria Iriarte, Ataúlfo Argenta, Coro Cantores de Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado, Federico Chueca | F Major | 2 | 7B | 86 BPM |
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