Coro Cantores de Madrid, Teresa Berganza's 'Los Gavilanes: "Amigos, siempre amigos"' came out on May 15, 2006. With Los Gavilanes: "Amigos, siempre amigos" being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "La Zarzuela: Los Gavilanes" album is number 8 out of 14. Based on our statistics, Los Gavilanes: "Amigos, siempre amigos"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Los Gavilanes: "Amigos, siempre amigos" by Coro Cantores de Madrid, Teresa Berganza to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Pour séduire Alcmène..(Minerve/Choeur/Diane/Cupidon/Venus/Pluton) | Jacques Offenbach, Jean-Paul Fouchécourt/Patricia Petibon/Jennifer Smith/Véronique Gens/Virginie Pochon/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 2 | 9B | 111 BPM | ||
Los Gavilanes: "Final acto 1º: Soy mozo y enamorado" | Coro Cantores de Madrid, Tony Rosado, Manuel Ausensi, Carlos Munguia | G Major | 1 | 9B | 73 BPM | ||
Gigantes y Cabezudos | Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría | E Major | 4 | 12B | 111 BPM | ||
Il barbiere di Siviglia / Act 2: No.13 Quintetto: "Don Basilio!" "Cosa veggo!" | Gioachino Rossini, Teresa Berganza, Ugo Benelli, Manuel Ausensi, Fernando Corena, Nicolai Ghiaurov, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | B♭ Major | 3 | 6B | 132 BPM | ||
Puccini: Tosca, Act 2: "Ch'io lo trassi in arresto" (Spoletta, Scarpia, Cavaradossi, Coro, Tosca) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Chorus of the Royal Opera House, Covent Garden, David Cangelosi, Roberto Alagna, Ruggero Raimondi, Orchestra of the Royal Opera House & Covent Garden | E Minor | 1 | 9A | 80 BPM | ||
La Verbena de la Paloma (Seguidillas) | Gran Orquesta Sinfonica, Coros Cantores De Madrid, Orfeon Donostiarra | D Major | 2 | 10B | 155 BPM | ||
El barberillo de Lavapiés, Acto I: Lamparilla, Majas, Estudiantes, Majos y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Gran Orquesta Sinfonica, Teresa Berganza, Coro De Camara Del Orfeon Donostiarra, Carlos Munguia, Francisco Asenjo Barbieri | G Major | 4 | 9B | 116 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Chanson. "Si je bois un peu, beaucoup" (Alfred, Caroline) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
La Canción del Olvido (Soldado de Nápoles) | Gran Orquesta Sinfonica, Coros Cantores De Madrid, Orfeon Donostiarra | C Major | 1 | 8B | 121 BPM | ||
La Boheme, zweiter Akt: Quando Men vo | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM |
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