Ataúlfo Argenta, Ana Maria Olaria, Gran Orquesta Sinfonica, Teresa Berganza, Coro De Camara Del Orfeon Donostiarra, Carlos Munguia, Francisco Asenjo Barbieri made "El barberillo de Lavapiés, Acto I: Lamparilla, Majas, Estudiantes, Majos y Coro General" available on August 15, 2019. Since El barberillo de Lavapiés, Acto I: Lamparilla, Majas, Estudiantes, Majos y Coro General is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 11 in El barberillo de Lavapiés (Zarzuela en Tres Actos) by Ataulfo Argenta, Gran Orquesta Sinfónica, Coro de Cámara del Orfeón Donostiarra, Ana María Olari. In terms of popularity, El barberillo de Lavapiés, Acto I: Lamparilla, Majas, Estudiantes, Majos y Coro General is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of El barberillo de Lavapiés, Acto I: Lamparilla, Majas, Estudiantes, Majos y Coro General by Ataúlfo Argenta, Ana Maria Olaria, Gran Orquesta Sinfonica, Teresa Berganza, Coro De Camara Del Orfeon Donostiarra, Carlos Munguia, Francisco Asenjo Barbieri is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madrid | Agustín Lara, Orquesta Lírica de Madrid, Feliz Guerrero | F Major | 2 | 7B | 94 BPM | ||
Luisa Fernanda: Introducción: Mi madre me criaba - Remastered | Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, María de los Ángeles Morales, Arturo Diaz Martos, Ataúlfo Argenta, Julian Perera, Gran Orquesta Sinfonica | B♭ Major | 3 | 6B | 135 BPM | ||
Donde Estarán Nuestros Mozos | Orquesta Sinfónica Española | D Major | 3 | 10B | 163 BPM | ||
La Rosa del Azafrán: "Sagrario y Juan Pedro" | Coros Cantores De Madrid, Teresa Berganza, Manuel Ausensi | B♭ Major | 4 | 6B | 86 BPM | ||
Gigantes y Cabezudos: "Coro de repatriados" | Orfeon Donostiarra, Carlos Munguia | G Major | 3 | 9B | 99 BPM | ||
España - Alternate Mix | La Orquestra Festival Praga | F Major | 2 | 7B | 122 BPM | ||
Soldado de Nápoles | Gran Orquesta Sinfonica | C Major | 3 | 8B | 117 BPM | ||
Pheasants' Chorus (I Pagliacci) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | C Major | 1 | 8B | 117 BPM | ||
Il barbiere di Siviglia / Act 1: Recitativo: "Ora mi sento meglio" | Gioachino Rossini, Teresa Berganza, Fernando Corena, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 1 | 8B | 129 BPM | ||
Don Giovanni, K. 527: Giovinette che fate all'amore | Wolfgang Amadeus Mozart, Teresa Berganza, Malcolm King, Lorin Maazel | D Major | 5 | 10B | 63 BPM |
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