"Pheasants' Chorus (I Pagliacci)" by Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana was released on July 1, 1996. The duration of Pheasants' Chorus (I Pagliacci) is about 3 minutes long, at 3:14. Based on our data, "Pheasants' Chorus (I Pagliacci)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 11 in Famous Opera Choruses by Choir and Orchestra of the Budapest State Opera, Consortium Musicum Ljubjlana, Radio Symphony Orchestra Ljubjlana. In terms of popularity, Pheasants' Chorus (I Pagliacci) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pheasants' Chorus (I Pagliacci) by Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 127 BPM | ||
Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour" | Nederica Stepan | D Major | 1 | 10B | 92 BPM | ||
Der Troubadour: Zigeunerchor | RSO Ljubljana, Marko Munih, Chor Ljubljana | C Major | 4 | 8B | 111 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Zadok the Priest | Amici forever | D Major | 3 | 10B | 132 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM | ||
The Magic Flute, K. 620: Act II, No.14. Aria: "Der Hölle Rache kocht in meinem Herzen" | Rundfunkorchester des Südwestfunks Baden-Baden | F Major | 1 | 7B | 144 BPM | ||
Carmen, Opera Suite No. 2: IV. Chanson du Toreador (Act 2) | London Festival Orchestra, Alfred Scholz | F Major | 1 | 7B | 113 BPM | ||
Carmina Burana / 2. In Taberna: "Estuans interius" | Carl Orff, John Shirley-Quirk, Royal Philharmonic Orchestra, Antal Doráti | A Minor | 3 | 8A | 87 BPM | ||
La Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me sereno | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A♭ Major | 1 | 4B | 113 BPM |
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