"When It's Spring in Vienna" by Louise Winter, National Symphony Orchestra was released on December 7, 2010. The duration of When It's Spring in Vienna is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. When It's Spring in Vienna's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 51 in the song's album "The Dancing Years (All Star 2010 Studio Cast, First Complete Recording)". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United Kingdom. When It's Spring in Vienna is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With When It's Spring in Vienna by Louise Winter, National Symphony Orchestra having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Britten: Folksong Arrangements, Book 1 "British Isles": No. 1, The Salley Gardens | Benjamin Britten, Robert Tear, Philip Ledger | D♭ Major | 1 | 3B | 112 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Rouse thee, my fainting soul | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM | ||
Love Went A-Riding, H. 114 | Frank Bridge, Jodie Devos, Nicolas Krüger | D♭ Major | 3 | 3B | 94 BPM | ||
Madama Butterfly, Act II: Coro a bocca chiusa "Humming Chorus" - 2013 Remastered Version | Giacomo Puccini, Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 77 BPM | ||
Deux mélodies, Op. 46: No. 2, Clair de lune | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
Le nozze di Figaro, K.492, Act III: Duettino. "Canzonetta sull aria" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Walking with an Angel | Laura Millocca, Ernesto Vallini, Valhalla Orquestra, Greg Dramund | F Minor | 1 | 4A | 72 BPM | ||
La forza del destino, Act IV, Scene II: Non imprecare; umiliati | Giuseppe Verdi, Riccardo Zanellato, Dinara Alieva, Andrea Bocelli, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | A♭ Major | 2 | 4B | 87 BPM | ||
La niña abandonada: La niña abandonada | Emilio Arrieta, Sabina Puértolas, Rubén Fernández Aguirre | E Major | 3 | 12B | 82 BPM |
Section: 0.5864236354827881
End: 0.5902886390686035