"[Suite en sol majeur]: XVIII. Le petit Badinage (No. 90)" by Marin Marais, François Joubert-Caillet, L'Achéron was released on June 9, 2023. The duration of [Suite en sol majeur]: XVIII. Le petit Badinage (No. 90) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. [Suite en sol majeur]: XVIII. Le petit Badinage (No. 90)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Cinquième livre de pièces de viole" album is number 18 out of 112. On top of that, Belgium appears to be the country where this track was created. [Suite en sol majeur]: XVIII. Le petit Badinage (No. 90) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of [Suite en sol majeur]: XVIII. Le petit Badinage (No. 90) by Marin Marais, François Joubert-Caillet, L'Achéron to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
À la fin cette bergère | Antoine Boësset, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | C Major | 1 | 8B | 128 BPM | ||
Suite in A Minor: VI. Menuet de Poitou et son Double | Louis Couperin, Laurence Cummings | A♭ Minor | 2 | 1A | 118 BPM | ||
The Mad Lover Suite: Ground. Aire III | John Eccles, Théotime Langlois de Swarte, Thomas Dunford | E Major | 0 | 12B | 127 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 1 | 7A | 72 BPM | ||
Canzona prima a 2 bassi | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Major | 2 | 10B | 75 BPM | ||
Marche de triomphe, H. 547/1 | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | C Major | 4 | 8B | 99 BPM | ||
Sonate, arie et correnti, Op. 3: No. 5, La Bergamasca | Marco Uccellini, Nicholas McGegan, The Arcadian Academy | A♭ Major | 2 | 4B | 80 BPM | ||
Ariane et Bacchus, Act I: Air et chœur. Souverain de l'humide empire | Marin Marais, Tomislav Lavoie, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | F Minor | 1 | 4A | 87 BPM | ||
Passacaglia | Giovanni Girolamo Kapsberger, Constantinople | A Minor | 1 | 8A | 88 BPM |
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