Rundfunkorchester des Südwestfunks Baden-Baden made "The Abduction from the Seraglio, K.384: Act 1: Marsch Der Janitscharen" available on January 2, 2019. With The Abduction from the Seraglio, K.384: Act 1: Marsch Der Janitscharen being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wolfgang Amedeus Mozart: Arias and Opera Scenes by Rundfunkorchester des Südwestfunks Baden-Baden. The song's track number on the album is #16 out of 16 tracks. Based on our statistics, The Abduction from the Seraglio, K.384: Act 1: Marsch Der Janitscharen's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since The Abduction from the Seraglio, K.384: Act 1: Marsch Der Janitscharen by Rundfunkorchester des Südwestfunks Baden-Baden has a tempo of 124 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Abduction from the Seraglio, K.384: Act 1: Marsch Der Janitscharen being at 124 BPM, the half-time would be 62 BPM with a double-time of 248 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aria ¨Non Piu Andrai, Farfallone Amoroso | Orquesta Sinfónica Y Coro De La RAI De Roma | C Major | 2 | 8B | 122 BPM | ||
Chopin: Polonaise In A Flat, Op. 53, "Heroic" | London Festival Orchestra | A♭ Major | 3 | 4B | 77 BPM | ||
Vivaldi: The Four Seasons, Spring 1st mov. Allegro | CHA Medical Center | E Major | 2 | 12B | 106 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Handel: Messiah, HWV 56, Part 3: I know that my Redeemer liveth (Soprano) | George Frideric Handel, Elizabeth Harwood, Dame Janet Baker, Paul Esswood, Robert Tear, Raimund Herincx, Ambrosian Singers, Sir Charles Mackerras, English Chamber Orchestra | A Minor | 4 | 8A | 0 BPM | ||
Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
The Magic Flute, K. 620: Act I, No.4. Recitativo ed Aria: "O zittre nicht, mein lieber Sohn" | Rundfunkorchester des Südwestfunks Baden-Baden | B♭ Major | 1 | 6B | 53 BPM | ||
セレナード 第13番 ト長調「アイネ・クライネ・ナハトムジーク」 K.525/第4楽章:ロンド:アレグロ(『メリーに首ったけ』より) | スロヴァキア・フィルハーモニー管弦楽団, リボル・ペシェック | A Major | 1 | 11B | 136 BPM |
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