"Fünf Klavierstücke: V. Walzer" by Arnold Schoenberg, Maurizio Pollini was released on January 1, 1975. The duration of Fünf Klavierstücke: V. Walzer is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Fünf Klavierstücke: V. Walzer's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Schoenberg: The Piano Music". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. In terms of popularity, Fünf Klavierstücke: V. Walzer is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fünf Klavierstücke: V. Walzer by Arnold Schoenberg, Maurizio Pollini having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Moses und Aron / Act I: Du Sohn meiner Väter (Aron, Moses) | Arnold Schoenberg, David Pittman-Jennings, Chris Merritt, Royal Concertgebouw Orchestra, Pierre Boulez | D♭ Major | 1 | 3B | 81 BPM | ||
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 82 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
6 Roumanian Folk Dances, BB 68, Sz. 56: 3. In One Spot | Béla Bartók, Zoltán Kocsis | B Minor | 0 | 10A | 97 BPM | ||
Cello Sonata in F Major, Op.6: II. Andante ma non troppo | Richard Strauss, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 171 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM |
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