"Close of the Day" by Christopher Ball, HAUSER, Yoko Misumi was released on September 13, 2011. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 11 in Christopher Ball: Music for Cello by HAUSER, Christopher Ball. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Close of the Day is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Close of the Day by Christopher Ball, HAUSER, Yoko Misumi is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Malena | 2CELLOS | C Major | 2 | 8B | 101 BPM | ||
Adagio for Strings | Samuel Barber, HAUSER, Robert Ziegler, London Symphony Orchestra | B♭ Minor | 2 | 3A | 79 BPM | ||
The Four Seasons, Violin Concerto No. 4 in F Minor, RV 297 "Winter": II. Largo | Antonio Vivaldi, Bohuslav Matousek, Zdenek Dejmek, Janacek Chamber Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
Hidden in Shadow | Christopher Ball, Chris Ball | B♭ Minor | 2 | 3A | 127 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Love Story | 2CELLOS | D Minor | 2 | 7A | 77 BPM | ||
Short Airs, Grave and Light (1599) | Anthony Holborne, Praetorius Consort, Christopher Ball | C Major | 3 | 8B | 131 BPM | ||
Concerto for Oboe and Strings: III. Scherzo (Allegro) | Christopher Ball, Paul Arden-Taylor, The Adderbury Ensemble | G Major | 1 | 9B | 138 BPM | ||
Cello Concerto No. 1 | Christopher Ball, HAUSER, Emerald Concert Orchestra | D Minor | 1 | 7A | 61 BPM |
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