On April 1, 2011, the song "Hidden in Shadow" was released by Christopher Ball, Chris Ball. The duration of Hidden in Shadow is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Hidden in Shadow's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 15 in Classical Music of the 21st Century - Vol. 5 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Hidden in Shadow's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Hidden in Shadow by Christopher Ball, Chris Ball is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM | ||
Horn Concerto | Christopher Ball, Tim Thorpe, Emerald Concert Orchestra | C Major | 4 | 8B | 118 BPM | ||
Cor Anglais Concerto | Christopher Ball, Paul Arden-Taylor, Emerald Concert Orchestra | C Major | 4 | 8B | 118 BPM | ||
Cantilena | Karl Jenkins | C Major | 1 | 8B | 134 BPM | ||
Malena | 2CELLOS | C Major | 2 | 8B | 101 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
I Capuleti e i Montecchi: Oh quante volte (Arr. for Cello & Orchestra) | Vincenzo Bellini, Ophélie Gaillard, Morphing Chamber Orchestra, Frédéric Chaslin | G Minor | 2 | 6A | 92 BPM | ||
Harmonies des bois, Op. 76: II. Les larmes de Jacqueline | Jacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | C Major | 0 | 8B | 84 BPM | ||
Symphony No. 3 in F major, Op. 90: III. Poco allegretto | Seattle Symphony Orchestra | C Minor | 0 | 5A | 92 BPM | ||
6 Miniatures (Arr. T. Batiashvili for Violin & Orchestra): No. 2, Suliko | Sulkhan Tsintsadze, Lisa Batiashvili, Georgisches Kammerorchester | A Major | 0 | 11B | 131 BPM |
Section: 0.6436648368835449
End: 0.6485214233398438