"Strauss, R: Ariadne auf Naxos, Op. 60: "Grossmächtige Prinzessin" - "Noch glaub'ich dem einem ganz mich gehörend" (Zerbinetta)" by Richard Strauss, Natalie Dessay, Antonio Pappano, Orchestra of the Royal Opera House, Covent Garden was released on February 26, 2021. Strauss, R: Ariadne auf Naxos, Op. 60: "Grossmächtige Prinzessin" - "Noch glaub'ich dem einem ganz mich gehörend" (Zerbinetta) appears to be safe for all ages as it is not explicit. There are a total of 41 in the song's album "Natalie Dessay à l'opéra". In this album, this song's track order is #39. In terms of popularity, Strauss, R: Ariadne auf Naxos, Op. 60: "Grossmächtige Prinzessin" - "Noch glaub'ich dem einem ganz mich gehörend" (Zerbinetta) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: Ariadne auf Naxos, Op. 60: "Grossmächtige Prinzessin" - "Noch glaub'ich dem einem ganz mich gehörend" (Zerbinetta) by Richard Strauss, Natalie Dessay, Antonio Pappano, Orchestra of the Royal Opera House, Covent Garden having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No.23 In A, K.488 - Cadenza: Feruccio Busoni: 1. Allegro | Wolfgang Amadeus Mozart, Ferruccio Busoni, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 2 | 4A | 121 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
2 Pieces for Piano Quartet, TrV 169: No. 2. Liebesliedchen | Richard Strauss, Amelia Piano Trio, Max Mandel | D Minor | 1 | 7A | 144 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 139 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM |
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